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Nollywood and the Nigerian film Industry: How far, how well?



Nollywood and the Nigerian film Industry

Nigerian film Industry

Nollywood, the Nigerian film industry, is not just a flash in the pan; it's a cinematic revolution that has been decades in the making. While the term "Nollywood" became popularized in the early '90s, the Nigerian film industry's roots stretch back much further, deeply entwined with the country's rich oral traditions and storytelling culture. From its embryonic stages in the colonial era to its meteoric rise as the world's second-largest film industry, Nollywood is a testament to the power of storytelling and the resilience of Nigerian creativity.


Before Nollywood's mainstream emergence Nigeria had a vibrant film culture that was largely influenced by its colonial past. The 1970s and 1980s saw the rise of celluloid films, often funded by the Nigerian government and foreign investors. Directors like Ola Balogun and Hubert Ogunde were already making waves, albeit on a smaller scale, focusing on themes that ranged from folklore to political commentary. However, the high cost of film production and the lack of adequate distribution networks made it difficult for these early films to reach a broad audience.


Things stepped up in 1992 when Kenneth Nnebue, a trader in Lagos, found himself with a surplus of blank videotapes. Instead of letting them go to waste, he decided to produce a film called "Living in Bondage." The film was a massive hit, selling over half a million copies, and it effectively laid the groundwork for what would become Nollywood.


Fast forward to today, and Nollywood is an economic powerhouse, contributing an estimated $600 million to the Nigerian economy annually. Producing over 50 full-length feature films a week, it's the world's second most prolific film industry, just behind Bollywood in India. The industry also employs over 300,000 people directly and up to a million indirectly, making it one of Nigeria's largest employers.


But Nollywood is more than just an economic powerhouse; it's a cultural ambassador for Nigeria and, by extension, Africa. The films often feature dialogues in local languages and showcase Nigerian customs and traditions, serving as a form of cultural preservation. This has made Nollywood films incredibly popular not just in Nigeria but across the African continent and among the African diaspora worldwide. In some cases, the influence of Nollywood has been so strong that it has affected local cultures in other African countries. For example, during the Ivorian civil war, it was reported that rebels would pause fighting to watch new Nollywood releases. Similarly, children in Zambia have been known to adopt Nigerian accents after watching Nollywood films.


The industry has also produced notable films and stars that have gained international recognition. Films like "Citation" have won international awards, and actors like Genevieve Nnaji have become household names far beyond Nigeria. Nnaji's film "Lionheart" was even acquired by Netflix, making it the first Netflix Original film produced in Nigeria. The highest-grossing Nollywood movie to date is "Battle on Bukka Street," which raked in over N660 million.


This international acclaim has attracted more investment into the industry and has started to change the types of stories that Nollywood tells. The narratives are becoming more complex, the production quality, improving, and the films are starting to tackle more serious issues like political corruption, ethnic strife, and gender inequality. Key players like directors Mildred Okwo, Kemi Adetiba, and Kunle Afolayan, as well as producers like Steve Gukas and Genevieve Nnaji, have been instrumental in this transformation.


Nollywood films serve as a mirror reflecting the complexities of Nigerian life. While some critics argue that the industry perpetuates stereotypes or leans too heavily into themes of witchcraft and the occult, others see it as an authentic expression of Nigerian culture—no less valid than Hollywood's fascination with vampires and superheroes.


This dichotomy raises questions about cultural perception and acceptance. Why are certain themes stigmatized when portrayed by Nollywood but celebrated when they come from Hollywood?

The answer may lie in the lingering effects of Eurocentrism, but one thing is clear: Nollywood is a powerful force shaping the cultural and social narratives of not just Nigeria, but Africa as a whole.


Nollywood grapples with several pressing issues that hinder its growth and global competitiveness. Chief among these are limited funding, which restricts production quality and makes it tough to rival Hollywood or Bollywood films. The industry is also plagued by rampant piracy, eroding filmmakers' profits and cheapening the perception of Nigerian cinema. Lastly, distribution hurdles make it challenging to showcase Nollywood films on international screens, worsened by inadequate infrastructure in many African countries.


Despite these challenges, the future of Nollywood looks bright. With increasing investment and a growing international audience, the industry is set to continue its rapid growth. As it evolves, it will be interesting to see how Nollywood balances its role as both a cultural ambassador for Africa and a commercial enterprise that needs to appeal to a global audience.


In conclusion, Nollywood is a fascinating blend of culture, economics, and global influence. It has its roots deeply embedded in Nigerian society but its branches extend far and wide, touching lives and shaping narratives across Africa and beyond. As Nigerian scholar Femi Abodunrin once suggested, perhaps it's time for Africans to engage in the act of "knowing" rather than just "being known." And what better way to start that journey than by telling our own stories through the powerful medium of film? Whether you love it or hate it, Nollywood is here to stay, and its impact on global culture cannot be ignored.


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